As part of my research into women composers, I have been playing around with first names – partly as a way of identifying genders among general lists of composers. The most common first name for female composers overall is Mary / Marie / Maria, followed by Anne, Florence, Alice, Dorothy, Elizabeth, Louise and Margaret.1
I thought it would be interesting to compare this with male composers, whose most popular first name is John / Johann / Johannes / Jean / Giovanni. Which are there more of, women, or Johns?
This shows the proportion of composers called John (or Johann(es), Jean or Giovanni) (in blue) and the proportion of composers who were women (in red), among all of the composers listed in Harant who were born before the years indicated along the x-axis. So among composers born before 1800, about 3½% were women, and about 18% were called John – a ratio of about five Johns for every woman. It was not until the early twentieth century that the total number of female composers overtook the number called John.4
- This list is based on a combined dataset of the various sources listed in this previous article. Other sources give more or less the same result.
Rmakes this straightforward. It is, however, only approximate with international lists of names such as this. A manual adjustment was needed to avoid a rather large number of French women composers called Jean, for example! It is also not very good at identifying some of the very early names – it misses ‘Hildegard’ for example.
- A CSV file with the data for this chart can be downloaded here. This is the data from Harant, with genders estimated from first names as above, omitting any data without both an estimated gender and a year of birth.
- Using a different dataset (the combined data gathered and deduplicated from multiple sources as part of the work for this article) gave slightly different answers, with the 1800 ratio being about three Johns to each woman, and a cross-over around 1935.