The Joys of Eurovision Scoring

Transcript of a presentation given at the RSS Merseyside Group’s event “A Stat for Europe: Statistics of the Eurovision Song Contest” at the University of Liverpool on 26 April 2023. It is partly based on my article in Significance (April 2023).

A video of the live version of this presentation is available here.

I’ve called this talk “The Joys of Eurovision Scoring” partly because I’m a bit of a nerd and Eurovision is an excellent source of statistics, but also because it is a clever scoring system, where everyone can have their say but there is guaranteed suspense and excitement up until the end of the show. It also reflects the Eurovision countries and how they relate to each other.

I’d like to cover three topics – what we can learn from the scores of individual jury members; why the public televote has more influence than the jury scores; and finally looking at the question of voting clusters.

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Statistics as a tool in researching women composer populations

My field of research is using statistics to explore the history of music. Today I’d like to talk about some analysis I’ve done on women composers and their works. Time is short, so I’ve got just four charts, and I’ll talk briefly about what they tell us about women composers, and about the data and the methodology, and the sort of issues that can arise with this sort of investigation. There is more detail available at this link.1

The first chart is an attempt to quantify how many women composers there are.2 Continue reading →

British Composers as seen by Hofmeister

The gentleman pictured to the right is Welsh composer Henry Brinley Richards.1 Although he is little-known today, his piano nocturne ‘Marie’ Opus.60 was the most published British musical work in Germany in the nineteenth century. German music lovers could purchase ‘Marie’ in its original form or in various arrangements in an impressive 34 separate publications from 27 different publishers between 1861 and 1877.2

That conclusion comes from an analysis of Hofmeister’s Monatsberichte – a monthly listing of music publications appearing in the German market, compiled by Leipzig music publisher Friedrich Hofmeister from 1829 onwards. The Monatsberichte up to the end of the nineteenth century are available as an online database, listing about a third of a million publications from over 36,000 composers. This article is about the British composers and their works that appear in Hofmeister’s listings. Continue reading →