The Impact of Covid-19 on Concerts in England

This article uses data from concert-diary to analyse the impact of this year’s Covid-19 restrictions on classical concert activity in England. The website concert-diary.com is a listing of (mainly classical) concerts, primarily in the UK. Any concert promoter is able to submit details of their events, so, whilst not covering all UK concert activity, the listings include a wide range of small and large concerts, in various formats and genres, from across the country. Historical data on the site goes back to the year 2000.

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Eighteenth Century London Concerts: 7 – Composers

Thomas Arne

This article in the series covering the Eighteenth Century London Concerts dataset looks at composers. As previously discussed, composers can be identified as the names preceding a “Genre” code in the list of entries in the dataset’s “Programme” field. In most cases they can also be associated with the genre of the work in question (and sometimes the precise work can be identified, although this information is quite patchy).

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Eighteenth Century London Concerts: 6 – Repertoire

This article looks at the types of repertoire included in eighteenth-century London concerts. As discussed in the first article of this series, information on the works performed is encoded, in a complicated way, in the “programme” field of the dataset.

The data is based on concert advertisements in newspapers, so there is considerable variation in the detail provided. Some advertisements spell out details of all of the works and who will perform them, but it is more typical for the focus to be on the performers, with the works often vaguely specified, such as “a concerto by Handel” (if you are lucky, it will say what instrument it is for).

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